Gippsland Women's Health

Stop Tech Abuse

A campaign brand, website, and poster series raising awareness of tech-based coercive control in rural and regional Victoria.

Two people holding phones, one phone with Stop Tech Abuse home page, the other an information page

Overview

Stop Tech Abuse is a campaign by Gippsland Women's Health, funded by the eSafety Commissioner, to raise awareness of tech-based coercive control across rural and regional Victoria. The campaign focuses on the ways some partners use technology to monitor, track, isolate, and financially control, and gives communities the language and resources to recognise it and respond.

What needed to be built:

  • A campaign brand flexible enough to work across digital and large-format print
  • A website acting as a central hub and leapfrog to specialist support services
  • A poster series targeting five distinct audience archetypes for placement across rural communities

Project goals

The campaign needed to reach a wide range of people, not just those experiencing abuse, and give each of them something useful.

  • Speak to multiple archetypes Create a campaign addressing survivors, friends and family of survivors, perpetrators, people close to perpetrators, and professionals, with content tailored to each group.
  • Work across regional Victoria Produce materials flexible enough to be adopted by five partner Women's Health organisations across the state.
  • Hold the weight of the subject matter Build a visual identity that felt urgent and credible without being clinical or alarming.
  • Keep people safe while they seek help Design the website with user safety front of mind, including a quick-exit button and a privacy-conscious approach to content.
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Stop Tech Abuse poster displayed above a urinal
Stop Tech Abuse poster displayed above a paper towel dispenser in a bathroom

My involvement

This project was completed as part of my work with Ellis Jones, led by Rhod Ellis Jones.

  • Brand identity and campaign designI was responsible for the full brand identity, including the logo, colour system, typography, and campaign assets, as well as the poster series. The brand needed to work at every scale, from a favicon and pin badge through to a large-format poster on a community noticeboard.
  • Website design and buildI designed and built the website in WordPress using Bricks Builder. The site was designed as a leapfrog: a clear starting point that connects people to the right support services rather than trying to replicate them.

The outcome

Logo

The logo mark draws on the visual language of a text exchange, using speech bubble forms that immediately signal digital communication. It was designed to perform well at any size: crisp as a favicon, legible as a pin badge, and commanding at poster scale. An animated version was produced for use in digital contexts and the campaign video.

Colour

Yellow, black, and white form the primary palette, with red and blue used sparingly as accents. The choice to lead with yellow was deliberate on two counts. Expert advice informed the team that red can provoke anger in viewers, which is the last thing a campaign like this should do. Yellow sidesteps that risk while carrying its own meaning: cowardice. Used as a full-bleed overlay in the campaign video, it visualises the mounting pressure of coercive control. On the website and in print, it commands attention without softening what the campaign is actually about.

Typography

The campaign uses Atkinson Hyperlegible, a typeface developed by the Braille Institute to maximise readability for people with low vision. It is free for commercial and personal use. A campaign designed to protect people should be readable by as many of them as possible.

Poster series

The poster series was built around five audience archetypes:

  • the survivor
  • a friend or family member of the survivor
  • the perpetrator
  • someone close to the perpetrator
  • and professionals such as social workers and medical practitioners.

Each poster spoke directly to that person, covering what they might be experiencing, what they could do, and where to get help. Posters were placed where each archetype was likely to have a private, uninterrupted moment: pub bathrooms, community noticeboards, Country Women's Association branches, and sporting clubs.

Website

The website was built on WordPress using Bricks Builder, chosen for its cost-effectiveness and flexibility for Gippsland Women's Health to manage over time. The structure mirrors the archetype approach of the poster series. The site is intentionally lean, designed to connect people to specialist services rather than replicate them. The resources page brings together links to organisations that can provide direct assistance, so nobody has to go searching in a moment of crisis.

Accessibility, privacy, and sensitivity

Accessibility

The yellow and black palette produces high contrast by nature. Atkinson Hyperlegible was chosen for its readability, and yellow was used over red on expert advice, as red can provoke anger in viewers. The site includes a quick-exit button so users can leave the page instantly if they need to.

Privacy

In small rural towns, being seen seeking help can put someone at greater risk. The poster series was placed in spaces where people were likely to have a private moment, rather than relying on digital channels alone. The quick-exit button addresses the same concern on the website.

Sensitivity

Gippsland Women's Health led all content and language decisions, informed by workshops with subject matter experts and women with lived experience. The design followed their guidance throughout.

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The result

Stop Tech Abuse launched across Victoria with a brand, website, and poster series that five regional Women's Health partners could pick up and run in their own communities. The campaign gave them a cohesive, credible set of tools and a clear way to reach people who might not have known where to turn.

Working on something that needs to get it right?

When your organisation works with people in vulnerable situations, design has a direct impact on whether they feel safe enough to engage. I work with organisations tackling difficult subject matter to build brands and websites that are accessible, considered, and built to reach the people who need them most.